I bought it to hear Damien Rice cover Radiohead's Creep and I was a bit harsh on ole Damien 'cause he wimped out and wouldn't say a word that Bono (practically an archbishop these days) tosses around like loose change. (Hmmm...do you think Bono is familiar with 'loose change' anymore? He can probably pay Bill Gates to pick up that five dollar bill for him!) Later I realized Damien was probably constrained because it was National Public Radio and all and we don't want our tax money spent on obscenities.
The main point being: I can't throw stones at Starbucks and its music franchise anymore. But with Paul McCartney signing to their label, I might need an extra java jacket to ward off the shudder. Eamon Carr reviews:
Paul McCartney's Full Circle Review
WHILE the world celebrates the fortieth anniversary of Sergeant Pepper's Lonely Heart's Club Band, his own concept, Paul McCartney releases a new solo album which explores his 64 years of memory.
But, interestingly, he appears to have forgotten about EMI, the company associated with him and The Beatles since the beginning and, instead, assigned this album to a label that's part-owned by Starbucks.
Is McCartney's music now a side-order to a sandwich? Or is it once again the main course?
While he expertly tapped into the King's Road/ Haight Asbury zeitgeist in 1967, we don't expect McCartney to nail the mood of the times these days.
He playfully acknowledges this by sticking a comfy armchair on the album cover. This is the first sign that this isn't simply a throwaway collection or mere contract filler...
More at link.